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Mia, 8 X 10 inch original oil painting
Notes from my fairy journal of May 2010
Each spring, a fairy arrives with the blooming of the magnolia tree, which is her patron tree. She is entrusted with protecting the songbirds of our country neighborhood. She enjoys the warmth of the morning sun upon her face, while the fragrance of the flowers soothes her spirit. Should ever she spy a cat or hawk, she rides upon her companion bird to create lively flying tricks that draw the interest of predators away from songbirds. She also protects eggs and nestlings from squirrels.
She senses changes in the air that precede thunderstorms. Then she reminds the robins to strengthen their nests and gathers spider webs to help secure the eggs. Her joy is seeing baby birds become fledglings and learn to fly.
The combined images just BELOW here show how the painting progressed, from simplicity to its finish on 8/8/10. I designed Mia’s clothing on a 14-inch doll, using real magnolia petals.
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fairyland ~ faerie ~ faery ~ elf ~ imp ~ pixie ~ sprite ~ woodland fairy ~ flower fairy ~ garden fairy ~ magnolia tree ~ magnolia blossoms
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Solace, 8 X 10 inch original oil painting
In early June, with rain falling all around, she had only a leaf for cover, a leaf as her solace. She lived in the elfin woodland of Pisgah National Forest (North Carolina, USA), near Brevard, in the land of waterfalls and Appalachian Mountains. From under my umbrella in 2003, I watched her quietly, soft padding of raindrops as the only sounds.
During summer 2009 and May 2010, I spent hours painting my memories of her home: a mossy stump, ferns, ivy, and grape hyacinths. Loving natural history as I do, I like to ponder how the human eye perceives both the variations in and the patterns of nature. Being somewhat orderly, I must resist my tendency to make things even and lined-up. Liking detail, I must keep myself from getting lost in it. Nature is more complex than what a human being can paint. An artist must simplify, since a lawn may have a million blades of grass; a tree, a million leaves; a head, a million hairs (unless it is a balding one!).
The combined images just BELOW here show how the painting progressed, from simplicity. Here is also a link to my webpage for Solace.
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I have two favorite books to study. Nature’s Chaos by Gleick (science writer) and Porter (photographer) is a small gem, an accessible guide to finding fractals (irregular patterns) within nature. When a teen, I visited a showing of a movie gem, Powers of Ten, created in 1968 by husband and wife, Charles and Ray. I must say, I was stunned. The brief film seemed to show a camera going by leaps (of a math-factor of tenth power), from a sleeping person up into the sky and out into space beyond our galaxy. Next, from the sleeping man’s hand, the camera seemed to go inward into cells, DNA, and atoms. I hope you will see this classic (released as a book and a DVD), which remains delightful. Its combination of science and artful filming opened my mind to wonder and awe. |
Fairies reside within imagination, in the magical part of nature. They reside in our human way of imagining changes of size, from the elfs to giants that populate mythology.
“Come away, O human child:
To the waters and the wild
with a fairy, hand in hand…”
~ William Butler Yeats
fairyland ~ faerie ~ faery ~ elf ~ imp ~ pixie ~ sprite
NOTE about Pigsah Forest USA
The following information is from Wikipedia:
American forestry has roots in what is now the Pisgah National Forest. The Cradle of Forestry, (Biltmore Forest School), was the site of the first school of forestry in the United States. It operated during the late 1800s and early 1900s at the direction of George Washington Vanderbilt II, builder of the Biltmore Estate in Asheville. The Cradle of Forestry and the Biltmore Estate played a major role in the birth of the U.S. Forest Service.
~ LINK: http://en.wikipedia.org/wiki/Pisgah_National_Forest
The photo below is of my husband and son near the fairy woodland in 2003.

© Text and photos by Nancy Lee Moran USA













